Home > The Flying Dutchman
Composed 1840-1841; revised 1842, 1846, 1852, 1860.
First performed January 2, 1843.
Libretto by the composer (in German).
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A Summary of “Der fliegende Hollander (The Flying Dutchman)” |
Act 1
Once upon a time, when a Dutch sea captain got caught
in a punishing storm, he boasted that it is easily possible for him to sail to
safety. So, he was cursed, he was never allowed to die, and he eternally had to
go on sailing in the seas. He is allowed to make a landing once every seven
years. He must see a woman who pledges eternal love to him to break the curse.
In the 18th century, along the Norwegian coast, the Dutchman’s ship encounters a
Norwegian ship. The Dutchman hears from the Norwegian sea captain, Daland,
about his daughter. The Dutchman proposes to Daland’s daughter. Daland
looks at a lot of treasures in the Dutchman’s ship, he readily agrees
with the Dutchman’s proposition.
Act 2
The legend of the Dutchman’s ship is well-known among
Norwegian people. Daland's daughter, Senta, believes that she is the very woman
to break the Dutchman’s curse. Her father brings the Dutchman, and he
recommends she marry him. Senta is pleased to become the woman who pledges
eternal love.
Act 3
However, she already has a fiance, Erik, who is a
huntsman. He blames her for betraying him. Then, there is a man who over hears
the talk between Senta and Erik. He is the Dutchman. The Dutchman gives up all
hope, and he think that the woman who pledges eternal love never exists. The
Dutchman leaves the Norwegian coast, again. Senta sees the Dutchman’s ship far
away. Then, she throws herself into the sea, at the same time the Dutchman’s
soul also is saved. Senta’s death brings about the Dutchman’s salvation.
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A Comment on “Der fliegende Hollander (The Flying Dutchman)” |
After Richard Wagner composed three study operas, for
example “Rienzi,” he composed 10 grand operas. All 10 operas are masterpieces,
that is, Wagner is a great master of opera composition. This opera, “Der
fliegende Hollander (The Flying Dutchman),” was his first opera, when he was
only 28 years old.
This opera was composed by Wagner in the first half of his career, so he
uses easier composition technique than the second half of his career. I
would like to recommend beginners to Wagner’s operas watch this opera
first. There are some wonderful arias, duets, and choruses in this opera.
And, you can become accustomed to his more difficult methods in his later
operas, for example “Leitmotiv.”
I recommend you pay particular attention to the title
role, the Dutchman. The success of this opera performance is affected by the
Baritone, who plays the Dutchman. At the beginning of act 1, there is a long
monologue by the Dutchman. He sings his own cursed fates. Wagner’s life is
consumed by opera, that is, I think that the Dutchman’s monologue symblizes the
beginning of Wagner’s opera life.
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Gluck, C. W. (1714-1787)
- Orpheus and Eurydice
Mozart, W. A. (1756-1791)
- The Marriage of Figaro
- Don Giovanni
- Cosi fan tutte
- The Magic Flute
Beethoven, L. v. (1770-1827)
- Fidelio
Weber, C. M. v. (1786-1826)
- The Magic Bullets
Rossini, G. (1792-1868)
- The Barber of Seville
Donizetti, G. (1797-1848)
- The Elixir of Love
Verdi, G. (1813-1901)
- Macbeth
- Rigoletto
- Il trovatore
- La Traviata
- Un ballo in maschera
- Don Carlo
- Aida
- Otello
- Falstaff
Wagner, R. (1813-1883)
- The Flying Dutchman
- Tannhauser
- Lohengrin
- Tristan und Isolde
- Die Meistersinger von Nuernberg
- The Rhinegold
- Die Walkure
- Siegfried
- Twilight of the Gods
- Parsifal
Offenbach, J. (1819-1880)
- The Tales of Hoffmann
Strauss, J. (1825-1899)
- Die Fledermaus (The Bat)
Bizet, G. (1838-1875)
- Carmen
Tchaikovsky, P. J. (1840-1893)
- Eugene Onegin
Massenet, J. (1842-1912)
- Werther
Humperdinck, E. (1854-1921)
- Hansel and Gretel
Puccini, G. (1858-1924)
- La Boheme
- Tosca
- Madama Butterfly
- Turandot
Leoncavallo, R. (1858-1919)
- Pagliacci
Mascagni, P. (1863-1945)
- Cavalleria Rusticana
Debussy, C. (1862-1918)
- Pelleas et Melisande
Strauss, R. (1864-1949)
- Salome
- The Cavalier of the Rose
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